Although I restrict my TV diet, I can't escape commercials, which appear at intervals of 40 seconds or so during the hockey games and fake news broadcasts. Some of them are entertaining, and every now and then we at WWW give the good ones the coveted Wally award for creativity. But I've noticed lately a trend in the portrayal, in TV ads, of American families. That's our topic for today.
Here's the kind of American family we saw on the toob in TV's so-called "golden years".
Yes, folks, it's the Andersons, of Father Knows Best. They're often held up as examples of the happy, well-adjusted, fully functioning family who should be role models for those of us who aren't so happy, well-adjusted, etc. Of course they're white folks. But there were happy, well-adjusted black families too, like the Huxtables.
You remember the Huxtables, don't you? Wow, they were even better than the Andersons because both parents were hard-working professional people. No stay-at-homee mom there! Some people complained that the Huxtables were "too white" in their speech and lifestyle -- "Oreo cookies" or, dare we say it, "black Republicans". But there were other black families, such as the Evans Family, from Good Times.
More down-to-earth than the Huxtables, eh? Climbing back up the social ladder, we find the Banks family, of Bel Air, who were always coping with their home boy relative, the Fresh Prince.
Elsewhere in America, we were invited to laugh along with the Keatons of Family Ties, as Alex faced the challenge of being a Republican in a family of Democrats.
All of these families are uniracial -- white or black, period. SJWs have been complaining for years that blacks have been under-represented on American TV. When challenged to square that assertion with the existence of shows like Good Times, Fresh Prince and the Cosby Show, they say that those shows were "blacksploitation" or (more recently) failed "to accurately portray the Black lived experience". The result is this year's remake of The Wonder Years, which featured the all-white Arnold family, to portray the all-black Williams family. Is that better? Apparently not. In response to the "wokeness" fad, Corporate America and the MadMen have decreed an end to segregation. What we need to see... must see... now are biracial families, like this one.
Ah, there you are! A happy biracial family -- black father, white mother, two adorable mulatto children, apparently one each of the two leading genders. I haven't seen a family like that in a sitcom yet, but there are lots of them in commercials for "woke" corporations. That's the way America is spozed to be, in the Age of Woke.
If you want to know how it really is, look no further than the evening newscasts of the latest episodes of black crime in your community [especially Lori Lightfoot's Chicago. Ed.]. Both victims and perps will be described as "a future basketball star", "an aspiring rap artist", and/or "a good boy who was trying to turn his life around."
That desccription will come from the boy's mother. There will be no father in sight, or anywhere around. That's how it is, even in the many cases where the mother is white. For the sad fact is that there are 1000s of plain-looking, fat white women who will do anything, anything to get a black guy to show them a little love. And that includes being a baby mama.
It is a statistical fact -- evident from the welfare rolls, if nothing else -- that black and biracial families are more likely than white families to be broken -- headed by women whose partners have deserted them. The happy biracial family we see in TV ads is largely mythical, the creation of propagandists pushing the liberal, BLM agenda as a matter of "social justice" to make reparations for the second-class status to which black people have been supposedly consigned.
The funny thing is that black people no longer buy into the concepts of integration and multiculturalism. Just last week, two white Arizona State University students were harassed at the school's "multicultural center" over their race and their support for police.
Video of the incident shows black students attempting to force two white male students to leave the area, claiming they were making the space "uncomfortable" with their whiteness and a pro-police sticker.
That's how things are, really, not in TVland but in America, in the Age of Woke.
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